Rick Rubin reflects on more than three decades of pushing the boundaries of rap, rock, metal and country. Rick Rubin 's discography reads like a who's who of popular music over the past three decades: Eminem , Metallica , Dixie Chicks. It's an exciting, exhilarating thing when it happens. But it's not anything to master. You just have to recognize it when it happens and protect it evaporating. It takes luck, patience, a strong work ethic and being willing to do whatever it takes for it to be great. It's a bit of a process we have to go through to get there. When the producer, now age 52, reflects on his career, he speaks with confidence and gentleness, perhaps a side effect of practicing transcendental meditation since he was a teenager.
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He favors baggy shorts, loose-fitting T-shirts and no shoes. Pulling the strings from behind a giant mixing board, Rubin gave the world its first real glimpse of the hip-hop producer. In , Rubin and Simmons parted ways, and the former launched the Def American Recordings label, then moved out west. His flair for public relations went with him—five years into his new enterprise, Rubin staged an elaborate mock burial, presided over by the Reverend Al Sharpton, for the word def , claiming it had lost its street cred.
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Rick Rubin is listening. A song by a new band called the Gossip is playing, and he is concentrating. He appears to be in a trance. His eyes are tightly closed and he is swaying back and forth to the beat, trying at once to hear what is right and wrong about the music. Rubin, who resembles a medium-size bear with a long, gray beard, is curled into the corner of a tufted velvet couch in the library of a house he owns but where he no longer lives.